श्रीश्च ते लक्ष्मीश्च पत्न्यावहोरात्रे पार्श्वे नक्षत्राणि रूपमश्विनौ व्यात्ताम् ।
Tato Purushsukt words megic
My marriage anniversary date is 29th January and as per Gujarati regional calendar it is on Vasant Panchami.. but instead of writing on the numerology factor 2 and 9 .. written on purushsukt and it's probabilities in each person life of Pai factor..
Rugved has few similer shloks or rucha about purushsukt with yajurvediy shlok or mantra or rucha...
we can see or read here by the number as according..
Rugvediya
06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16
Yajurvediya
14, 09, 06, 07, 08, 09, 10, 11, 12, 13, 15
These all number shlok are common... Total 11 shlok are common...
BUT... BUT... BUT...
In other case .... If we consider the same as YAR based form we can see difference between shlok meaning...
when we are reading
Yachch Bhavyam means good wealth related all
Other side we can read
Yachch Bhaavyam means good wealth related only one
When we reading
Tasmaat.. means your
Other side we can read
Tato... Means THOSE
When we reading
The side of dimensions like Vaayavya
Other side we can read
The place near about as village or graamya
When we are reading
Sahastra Shirsha... Means 1000 heads
Other side we can read
Sahastra Bahu... Means 1000 hands
But of 1000 bodies has 1000 heads than they can consider 2000 hands but considering only 1000 hands only!!!!!
When we are reading as
Using form base baahu, leg, face
Other side we can read
Choosing of baahu, leg Face...
I believe that few shlok number are in disorders based way same ... but simontusly parelal way the approachable things of each and every shlok meaning are different if we read in format of YAR base one by one ... ...
Now here we can see difference of the whole shlok mahima...
Atharva Vediya purushsukt
सप्तास्यासन् परिधयस्त्रिः सप्त समिधः कृताः ।
देवा यद्यज्ञं तन्वाना अबध्नन् पुरुष पशुम् ॥१५॥
मूर्जो देवस्य बृहतो अंशवः सप्त सप्ततीः ।
राज्ञः सोमस्याजायन्त जातस्य पुरुषादधि ॥१६॥
The male is comming or giving
Rugvediya and Yajurvediya purushsukt
सप्तास्यासन्परिधयस्त्रिः सप्त समिधः कृताः ।
देवा यद्यज्ञं तन्वाना अबध्नन्पुरुषं पशुम्॥१५॥
यज्ञेन यज्ञमयजन्त देवास्तानि धर्माणि प्रथमान्यासन्।
ते ह नाकं महिमानः सचन्त यत्र पूर्वे साध्याः सन्ति देवाः॥१६॥
The male version will be decided
Read the line carefully...of shlok 15... Common but but but
Where sapta samidh krut??? Obviously by Odan and Brahmodan sukt based matter... Which is related to inner side body, In mouth and that is done by sapta jihva...
And that is as person or Human R related knowing all things is comming as having energy bases male factor with self...
This is by Atharva Vediya purushsukt
And in rugvediya and Yajurvediya purushsukt based shloks the person having breathing perfect way has giving them first class Assan by those all who are knowledgeable for the said process... about purushsukt...
Means all are related to Chetan tatva... Not consider with achetan and avachetan... There are not any probabilities of had tatva or nishchet tatva but 100% sure with time factors and time travel... As any sajeev can not facing or absorbing such hard injury while these types bhakti...
There are little variable and variations in sanskrut as different samhita but the knowledgeable person can definitely defined the very nominal difference…
purush sukt has so many eye open words if we read proper as per Sanskrut matruka level…
“Tripad Urdhva” when done… You got YUP conditions for yagna mandap for your own leg for those body which is you consider as small in comparison of your presence… And you are doing yagna for your fourth leg…on that ways consider as havi and hut dravya, is your whole legs material. As same way your present body is taking as purusha’s skin, mussels, bones, blood, sirum, etc as dravya for yagna…
Very hard to understand but Sanskrut is not easy to understand exact proper way…
I several ways understand that the HOTA of yagna is speaking kha instead of sha in purush Sukt… It’s really very interesting but for that need to understand the sandhi and matruka level of the words…
PURUSHA
WHILE SPEAKING THE AIR IS MOVING OUTSIDE FROM THE TEETH AND TOUNGE
AND THE SYMBOL OF SHA IN SANSKRUT IS SHOWING MEANING AS IT’S SOMETHING WOULD BE NOT FINISHED EVER IN LIFETIME…
Sha is the third level of alphabet in sanskrut as like as SA, sha and shaa स, श, ष
PURUKHA
WHILE SPEAKING THE AIR IS MOVING OUTSIDE FROM THE NICK OR THROATS INNER SIDE to mouth as MEANS IT’S GIVING VIBRATION to the ORULA… Means savings self and used of the hidden era or ora of to the main HOTA…means acharya
Little hard to explain as language Is odd and I have ......
You can understand... Jay Gurudev Dattatreya
JAY Gurudev Dattatreya
Jay HIND
JIGARAM JAIGISHYA Jigar:
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